With Cosimo I, it began the requalification of the city
in monarchic sense. One of the actions in such sense was the
re-unification of the 13 more important magistracies of the Fiorentina
city in an only called center "Offices" (Uffizi). Clearly this
served to having the control on their activities. The plan to
realize these Offices was entrusted to the Vasari in 1560. In
the plan the ancient Romanesque church of saint Pier Scheraggio had to
be incorporated also, the old mint where the located directions give
the 1866 had also center.

The true and own accessible Offices to the public and
to the job were those of the flat architravato earth with loggiato
with loggia to botte, the Association of Bologna with wide windows in
order taking advantage of for when possible every minute of solar
light, while the last one slowly was classified to private use of the
Duca. The Vasari adopts like criterion the dorico order: "surer and more detention degl' others, [... ] always
piaciuto a lot to Mr. duca Cosimo". Already
five years after, came complete so-called the Uffizi to you Long and
the feature that arrives and shows oneself on the Arno. The
tight part of the "U" is a true one and just "I found them teatrale"
classic, with the statue of Cosimo to the center realized from
Giambologna (1585). The other statues placed in the period,
solo others two of Vincenzo Give to you, those of the Rigor and the
Fairness of 1566. The other niches were filled up solo from
1835 with famous figures of Fiorentini.
In 1565, Cosimo I, in occasion of the wedding of the Son
Francisco with Giovanna of Austria, came commissioned the realization
of what today it is known like the Vasariano corridor. Passing
for the old bridge around to the tower of the Mannelli that made part
of the defensive system of the bridge and the whose owners made
resistance to the discouragement, then still in front of the saint
church it congratulates give which it could be approached with a
balcony and to take the putting without to come down between the
people of the grates they could be sluices in necessity case.
Finally the outlet of the corridor on the back of the palace
from the part of the garden of Boboli.
"In the 1574 when the power passed in the hands of
Francisco de' the Doctors direction of the jobs it came entrusted to
Bernardo Buontalenti, that it completed the factory, with to Alfonso
Paris the old one, in 1580. Between 1579 and the 1581 times of
the Gallery were frescoed with reasons to "grotesque" from from
Alexander subsequently Bay Antonio Storm and, with which Ludovico
Buti, Giovanmaria Butteri, Giovanni Bizzelli and Alexander Pieroni
collaborated ". Endured of continuation it began to use the
loggia to the last one slowly in order to realize a gallery that received its private collections composed from po' a
every kind of curiosity and works of art.
"
In the 1583 Francisco it made to transform the
terrace, over the Loggia of the Lanzi, in a hanging garden, hour
scomparso, where the court gathered to listen to musical exhibitions
and other intrattenimenti. To the Buontalenti the realization
of the mediceo theatre is always up: a space encircled from
gradinate with in means the theater box of the principles. In
the course of the centuries the theatre has been subdivided in two
plans: in the first hour the Cabinet has center Designs and
Press, in the second some know them of the Gallery. Of the true
theatre and just the Vestibolo remains only, where on the left it is
what a time was the portale of income to the theatre, today income of
the Cabinet Designs and Press and forehead the three doors of the
Ricetto, on qushe centers them, with the ante
lignee carved with dicei coats of armsme, is the
busto of Francisco I."
During the centuries some rooms came equipped
and modified, as an example on the terrace over the Loggia of the
Lanzi (lanzichenecchi), was made to construct a hanging garden, today
scomparso. In a wing instead the real theatre, then ridiviso in three plans in order to gain of other rooms.
The inner preparations various reviews times until the
conformation put into effect them. To notice: from the
time of the alluvium of 1966 they have not been taken provisions
against regular and statistically recurrent alluviums of the Arno.
They are passes you more than forty years and to the next
alluvium the large one of the works stivate in the below warehouses
they will be probably visible single in photography.
grosso delle opere stivate nei magazzini sottostanti saranno
probabilmente visibili solo in fotografia.